![]() ![]() ![]() In these same flashbacks, Oskar’s mother, Linda (Sandra Bullock), observes her boys with a contended smile on her face, pleased that they’re so made for each other, in love with both, but never as full-on comfortable with her son as her husband seems to be. In his flashbacks, he dotes on his father, Thomas (Tom Hanks), who comes up with word games and intellectual challenges for him, practices Taekwondo with him, and encourages him to take a risk on the swing set in a park near their Manhattan apartment (“Jump” urges his dad, “It’s not safe, says his stern-faced child). Oskar’s own strangeness is the ground for this project, a strangeness that’s alternately appealing and alarming, and possibly a function of Asperger’s syndrome (he was tested, he says, but the “results were inconclusive). And so Stephen Daldry’s movie, based on Jonathan Safran Foer’s book, makes a mighty effort to reconcile these experiences, to make the strange familiar and the familiar newly illuminating as well. That loss is, of course, at once profoundly personal and also obscenely collective. But he’s unable to describe, even fully comprehend, the loss of his dad, on 9/11, in the World Trade Center. He’s actually an extraordinarily articulate 11-year-old, good in school and not shy about talking to people. It’s not for lack of self-confidence or access to language, exactly. ![]() And as Extremely Loud and Incredibly Close reminds you more than once, he has a hard time expressing this. Oskar Schell (Thomas Horn) misses his dad. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |